We are searching data for your request:
Upon completion, a link will appear to access the found materials.
Van Dyck is a talented student of Rubens, who painted his famous painting “The Crown of Crown of Thorns” at a very tender age of eighteen.
As a child of wealthy parents who supported his talent, he got the opportunity at the age of 16 to open his own art workshop. In it, he creates his works about Christ and his apostles.
It is known that Van Dyck painted the picture “Crowning with a Crown of Thorns” in two versions. Only one of them has survived, the second in a row, the first is irretrievably lost.
In the Madrid version, in the center of the picture is Christ, who is surrounded by executioners. The naked, strong torso is tinted by the active blue color lying on the lap of the cloak. The warrior laying a crown on Christ is tense, the picture is filled with the languid expectation and pain of a martyr.
Despite suffering and cruelty, the picture is filled with incredible light. It seems that he does not fall on Christ, but comes from within his naked body. The author literally nourished the picture with divinity.
Despite the fact that Van Dyck studied with Rubens, in his manner he tried to move away from the usual manner of writing inherent in the teacher and, in the end, even surpassed him in mastery.
Rubens was jealous of the successes of his young assistant, but even he could not fail to note his outstanding abilities. Rubens noted "equal skills with him" in writing faces. The remaining connoisseurs, or their majority, believed that Van Dyck left behind his eminent teacher, and only Titian was ahead of him in talent.
Van Dyck was distinguished by the peculiarity of his work on canvases. Eyewitnesses wrote later that the artist was engaged in portraits quickly, wrote a lot, put the finishing touches later. The artist worked on the stories in a completely different way: he outlined a certain front for himself and, having finished, immediately stopped writing.